Review of Thoda Pyar Thoda Magic.

Review of Thoda Pyar Thoda Magic.

In the film Thoda Pyar Thoda Magic, Saif Ali Khan, a rich industrialist has a lot of money, but no companion. He lost most of the people he loved. In a significant court verdict he is given the liability of taking care of four orphan children.

As Safi Ali Khan neither had the skill of looking after the children nor suited their liking also, most of them were unhappy and some of them were even interested to take revenge against. The children prayed to God to give them an angel, who could help their cause.


After a short struggle of Saif Ali Khan with the four children, Rani Mukherjee appeared in the film. She came to their house as the new care taker and was loved by all the children.

The performance of Saif Ali Khan was just satisfactory but he did not try to do something innovative. Same is with Rani Mukherjee, some way or the other the directors these days are failing to utilize the immense acting talent of Rani Mukherjee.

Shankar- Ehsan-Loy’s music was not that entertaining except the song “pyar ke liye”. The children are impressive including the sikh kid.


The locations are good and the screen presence of Saif Ali Khan and Rani Mukherjee was impressive.

In 2008, none of the films looked like storming bollywood and creating history. Thoda Pyar Thoda Magic also ends up in the same direction. There is everything thoda thoda, little magic, little entertainment but not extraordinarily amazing.

Lata and Mukesh.

Lata and Mukesh.

Due to strong association of Lata and Mukesh with Raj Kapoor, both of them sung aq number of songs in the same films and also numerous duets which were all successful. Shankar Jaikishan was a genius composer and his compositions for Lata and Mukesh became immortal hits over the period of time.

Their songs in the film Aah were hits, including the duet song of Lata and Mukesh titled “aaja re” which was picturised on Raj Kapoor and Nargis. Their song in the film Shree 420 titled “ramaiya vasta maiya” which was sung by Mukesh, Lata and Rafi became landmark hit in 1955. Their songs in the film Jis Desh Me Ganga Behti Hai were also successful including “aa ab laut chale” picturised on Raj Kapoor and Padmini.

Their songs in Hrishikesh Mukherjee’s Anari were also hit including “yeh chaand khila”, “dil ki nazar se”, etc., which were picturised on Raj Kapoor and Nutan. In the 60s, also the combination of Lata and Mukesh provided legendary hits like “o mere sanam”, and “har dil jo pyar karega”, which were picturised on Raj Kapoor and Vaijayantimala. All these golden songs were the landmark compositions of Shankar Jaikishan.

Even outside RK Banner Lata and Mukesh had sung many hit songs. In Bimal Roy’s Madhumati, Salil Choudhury composed the song “dil tarap tarap ke keh raha hai aa bhi ja” sung by Lata and Mukesh and picturised on Dilip Kumar and Vaijayantimala. Even the song “sawan ka mahina”, sung by Lata and Mukesh, composed by LP and picturised on Sunil Dutt and Nutan became big hit in the mid-60s.

Lata and Mukesh were also sublime in the film Mere Humsafar, where the songs were picturised on Jeetender and Sharmila Tagore. Mukesh died in the mid-70s, which led to the end of the golden combination of Mukesh and Lata who had provided melodious hits over a period of 30 years.

The films and the songs sung by Lata and Mukesh should be restored and preserved for the new generation.