Happy birthday to Johnny Walker.

Happy birthday to Johnny Walker.

The viewers of bollywood films wish happy birthday to comedy star Johnny Walker on 11th November, 2010. His popularity in bollywood films was immense during the 50s and 60s. He used to be considered the second hero opposite legendary stars like Dilip Kumar, Raj Kapoor, Guru Dutt and others.

Rafi had a huge contribution in the success of Johnny Walker, the elegant comedian of the 50s and 60s. Most of the songs sung by Rafi for Johnny Walker were hits and caught public attention. Rafi even imitated the style of dialogue delivery of Johnny Walker. Johnny Walker acted both in lead roles in notable films as well as supporting roles in hit films of stars like Dilip Kumar, Raj Kapoor, Guru Dutt, Dev Anand, and others and the different composers who composed music in those films including OP Nayyar, Shankar Jaikishan, SD Burman, Salil Choudhury, Ravi, Naushad, Dattaram, Laxmikant Pyarellal and others composed catchy songs of Rafi which were picturised on the legendary comedian. The songs in the film CID, composed by OP Nayyar, including “ai dil mushkil jeena yahan”, picturised on Johnny Walker were melodious. OP Nayyar’s composition for Johnny Walker in the film Aar Paar titled “are na na na na nana touba touba” was also equally hilarious and melodious. Rafi imitated the dialogue throwing style of Johnny Walker in the film in style. The song in the film Mr. and Mrs. 55, composed by OP Nayyar and picturised on Johnny Walker, including “jane kahan mera jigar gaya ji” became extremely popular. The song was as popular as some other of the songs of Rafi like “dil par hua aisa jaadoo”. The other songs were picturised on the hero of the film Guru Dutt. Rafi’s song in Raj Kapoor’s film Chori Chori composed by Shankar Jaikishan was also hit titled “all line clear”.

Johnny Walker became an indispensable part of the films of Guru Dutt and used to get important roles in the films of Guru Dutt. In the film Pyaasa, Rafi’s song “tel malish” picturised on Johnny Walker became landmark hit. SD Burman, the composer of the song modified his style of composition to suit the song of Rafi in the film. In the film Ustadon Ke Ustad, Rafi sang a very peppy number for Johnny Walker titled “maine kaha tha aana Sunday ko”, composed by music director Ravi. In Dilip Kumar’s Madhumati, Rafi’s song for Johnny Walker titled “jangal me mor nacha kisi ne na dekha” became super hit. Salil Choudhury, the brilliant composer composed the songs of the film and received the filmfare award for the best composer in the year 1959. The song “mai bombai ka babu” from the film Naya Daur was also successful. OP Nayyar’s composition for Rafi suited the style of acting of Johnny Walker and impressed the viewers.

The other songs of Rafi which became successful include “gareeb janke”, from the film Chu Mantar, where Johnny Walker played the leading role. Even the songs in the film Chaudavi Ka Chaand, composed by Ravi became extremely successful. Johnny Walker’s songs in the same film “mera yaar bana hai dulha” and “yeh duniya gol hai” became extremely successful. Rafi’s song “nashe me hum nashe me tum” in Johnny Walker’s film Black Cat also became extremely popular. In the film Johnny Walker, there were few hit numbers composed by OP Nayyar for Rafi including “bekithiyaar hoke pyaar”, “bachke balam chal”, “mooh se mat”. Some of these songs were duets and Geeta Dutt and Asha Bhosle also sung well.

In the film Baharen Phir Bhi Ayegi, Rafi’s song for Johnny Walker titled “suno suno Miss Chatterjee” became extremely popular. OP Nayyar’s background beat was very melodious. Laxmikant Pyarellal composed very melodious songs for Johnny Walker and Biswajeet in the film Night in London. Most of the songs became super hit.
Johnny Walker was probably the only comedian who had given lips in so many hit songs of Rafi, even considering Manna Dey’s songs for Mehmood. The list of films where Rafi had sung for Johny Walker can go on and cannot be covered in one article.

The songs and the films should be restored and preserved.

Johnny Walker and Rafi.

Johnny Walker and Rafi.

Rafi had a huge contribution in the success of Johnny Walker, the elegant comedian of the 50s and 60s. Most of the songs sung by Rafi for Johnny Walker were hits and caught public attention. Rafi even imitated the style of dialogue delivery of Johnny Walker. Johnny Walker acted both in lead roles in notable films as well as supporting roles in hit films of stars like Dilip Kumar, Raj Kapoor, Guru Dutt, Dev Anand, and others and the different composers who composed music in those films including OP Nayyar, Shankar Jaikishan, SD Burman, Salil Choudhury, Ravi, Naushad, Dattaram, Laxmikant Pyarellal and others composed catchy songs of Rafi which were picturised on the legendary comedian. The songs in the film CID, composed by OP Nayyar, including “ai dil mushkil jeena yahan”, picturised on Johnny Walker were melodious. OP Nayyar’s composition for Johnny Walker in the film Aar Paar titled “are na na na na nana touba touba” was also equally hilarious and melodious. Rafi imitated the dialogue throwing style of Johnny Walker in the film in style. The song in the film Mr. and Mrs. 55, composed by OP Nayyar and picturised on Johnny Walker, including “jane kahan mera jigar gaya ji” became extremely popular. The song was as popular as some other of the songs of Rafi like “dil par hua aisa jaadoo”. The other songs were picturised on the hero of the film Guru Dutt. Rafi’s song in Raj Kapoor’s film Chori Chori composed by Shankar Jaikishan was also hit titled “all line clear”.Johnny Walker became an indispensable part of the films of Guru Dutt and used to get important roles in the films of Guru Dutt. In the film Pyaasa, Rafi’s song “tel malish” picturised on Johnny Walker became landmark hit. SD Burman, the composer of the song modified his style of composition to suit the song of Rafi in the film. In the film Ustadon Ke Ustad, Rafi sang a very peppy number for Johnny Walker titled “maine kaha tha aana Sunday ko”, composed by music director Ravi. In Dilip Kumar’s Madhumati, Rafi’s song for Johnny Walker titled “jangal me mor nacha kisi ne na dekha” became super hit. Salil Choudhury, the brilliant composer composed the songs of the film and received the filmfare award for the best composer in the year 1959. The song “mai bombai ka babu” from the film Naya Daur was also successful. OP Nayyar’s composition for Rafi suited the style of acting of Johnny Walker and impressed the viewers.The other songs of Rafi which became successful include “gareeb janke”, from the film Chu Mantar, where Johnny Walker played the leading role. Even the songs in the film Chaudavi Ka Chaand, composed by Ravi became extremely successful. Johnny Walker’s songs in the same film “mera yaar bana hai dulha” and “yeh duniya gol hai” became extremely successful. Rafi’s song “nashe me hum nashe me tum” in Johnny Walker’s film Black Cat also became extremely popular. In the film Johnny Walker, there were few hit numbers composed by OP Nayyar for Rafi including “bekithiyaar hoke pyaar”, “bachke balam chal”, “mooh se mat”. Some of these songs were duets and Geeta Dutt and Asha Bhosle also sung well.

In the film Baharen Phir Bhi Ayegi, Rafi’s song for Johnny Walker titled “suno suno Miss Chatterjee” became extremely popular. OP Nayyar’s background beat was very melodious. Laxmikant Pyarellal composed very melodious songs for Johnny Walker and Biswajeet in the film Night in London. Most of the songs became super hit.Johnny Walker was probably the only comedian who had given lips in so many hit songs of Rafi, even considering Manna Dey’s songs for Mehmood. The list of films where Rafi had sung for Johny Walker can go on and cannot be covered in one article.The songs and the films should be restored and preserved.

The nation remembers Guru Dutt on his birthday.

The nation remembers Guru Dutt on his birthday.

The nation remembers Guru Dutt on his birthday on 9th July, 2009. He had died more than 40 years ago, yet his reference comes whenever history relating to thoughtful films is revisited. Guru Dutt was innovative as a director and from the time he created Baazi with Dev Anand in 1951, he showed his spark. As an actor his films Aarpar with Shyama gave a new team in bollywood films with OP Nayyar, Rafi, Geeta Dutt, Johny Walker and others. The song in the “kabhi aar kabhi paar” became super hit.

From that time onwards Guru Dutt created his identity in picturising song sequences and was regarded by the film community after Raj Kapoor. In CID, all the songs of the film like “ay dil mushkil jeena yahan”, “ankhon hi ankho me ishara ho gaya”, “leke pehla pehla pyar” became super hit. Johnny Walker became a leading comedian in the 50s, due to his brilliant relationship with Guru Dutt and Mohammad Rafi and their combination gave numerous hits for the next ten years.

Mr and Mrs 55 was Guru Dutt’s super hit project opposite Madhubala. All the songs in the film became successful including “thandi hawa kali ghata”, “jaane kahan mera jigar gaya ji”, etc. Rafi’s songs for Johnny Walker and Guru Dutt like “sun sun sun sun zalima”, “muhobbat karlo aji karlo”, “dil pe kiya aisa jadu” remained everlasting hits and still is considered as some of the most innovative creations of OP Nayyar. The songs of the film 12 O Clock were also hit including “mai kho gaya” sung by Rafi.

From 1957, the viewers saw thoughtful Guru Dutt in films like Pyaasa and Kagaz Ka Phool. Both the films were based on eternal truth. Pyasa was related to recognition of a poet in a materialistic world. Kagaz Ka Phool was related to story of directors and performers in celluloid, their rise and their fall due to ungratefulness of opportunists in society. The music composed by SD Burman in both these films were of high standard. Also the lyrics of Sahir Ludhiyanvi were very meaningful. The notable songs included “yeh mahalon yeh takhton yeh tajon ki duniya”, “sar jo tera”, “bichar gaya bari bari” sung by Rafi, “waqt ne kiya kya haseen sitam” sung by Geeta Dutt, to name a few.

Guru Dutt and Wahida Rehman’s onscreen chemistry was accepted by viewers in the film Chaudavi Ka Chand. The title song “chaudavi ka chand ho, ya aaftab ho” sung by Rafi and composed by Ravi can be considered as one of the ten best ghazals composed in the history of bollywood music. Guru Dutt bought colour in the song sequence. The film did great business. Guru Dutt as an actor did great job in films like Bharosa, Saheb Bibi Aur Ghulam, Saanz Aur Sawera, etc. His early demise in the mid-60s led to huge loss in the film industry as his works were filled with deep thoughts. The viewers pay respect to the departed soul on his birthday and want the restoration of his works to acknowledge his creativity as a director, producer and actor.

Films like Madhumati are creative works of art.

Films like Madhumati are creative works of art.
Films like Madhumati are creative works which had not become obsolete even with passage of time. Bimal Roy had experimented with the subject of re-incarnation which most sections of the people don’t believe in. But the strong performance of Dilip Kumar, Vaijayantimala, powerful direction of Bimal Roy, brilliant music of Salil Choudhury had made the views spellbound in 1958 and the film still remains as one of the classic creations of all times.

Dilip Kumar in his second birth had come to the same palace where he met Pran, the prince of the palace in his last birth. He told the story of his last birth to Tarun Bose. He was a forest officer, and worked within the estate of Pran, the ruler of the place. He entered into an affair with Vaijayantimala and convinced his father Jayant about the marriage. But when he went out of the city for official work, Pran brought Vaijayantimala in his palace, and she jumped from the roof and committed suicide.

Very significantly Dilip Kumar met another girl in the same place having similarity with Vaijayantimala. He asked her to cooperate with him and the police and create the same situation relating to murder before Pran so that he would confess about his guilt. The plan was made but the soul of Vaijayantimala told the story and Pran confessed his guilt even before the girl having similarity with Vaijayantimala could arrive in the palace. The soul of Vaijayantimala took Dilip Kumar to the roof and he slipped from the rooftop and died. Johnny Walker, the servant of Dilip Kumar and a local villager helped him all along the previous life.

In the second birth, again Vaijayantimala was married to Dilip Kumar. He heard about a railway accident and being worried went to search for his wife. He found his wife and child still arrive where the film ended. Although the story could not be believed by big section of the viewers, it entertained everyone. The songs “aja re pardesi”, “ghari ghari mera dil dharke”, “daiya re daiya re”, sung by Lata, “jangal me mor nacha”, “tute hue khwabon ne”, sung by Rafi, “suhana safar”, “dil tarap tarap ke” sung by Mukesh, stormed bollywood films for more than a decade. Salil Choudhury received the filmfare award for the best composer for his immortal composition in the film Madhumati.

One of the amazing factors of Bimal Roy’s classic lied in the romantic presentation of the film in the midst of glamourous locations. Although it was a black and white film, the shooting was mainly done outside the studio and vey romantic landscape with hills and waterfalls were shown in the film. The music was ably picturised and the popularity of Dilip Kumar and Vaijayntimala helped the director in getting the box-office support.

New directors can learn a lot from the classic creation of Bimal Roy which still can haunt the viewers with romantic appeal.