Kali Banerjee was one of the most talented actors of golden age.

Kali Banerjee was one of the most talented actors of golden age.

Kali Banerjee was one of the most talented actors to grace the silver screen. Born in 1921, Kali Banerjee made his presence felt in Bengali films of the 50s, with impressive performance in the film Barjatri.

From that time he had acted in more than 200 films and every type of role possible at that time. He had been remembered for his epic performance in Agragami’s film Dakharkara in 1958. He was postman of a village and faced odds to convey letters, parcels telegrams to distant places. The last message he received was the message of death of his son who had joined the Indian armed forces , received a gold medal and died at the battle field. Tarashankar Banerjee’s classic literature was given adequate expression by Kali Banerjee.

He became the automatic choice of all the legendary directors of Bengal during the golden age. Hrithik Ghatak did cast him in his innovative film Ajantrik where he showed the abstract relationship of a man with a car. Mrinal Sen used him in his epic film Neel Akasher Neeche, where he played the role of a Chinese in Kolkata, who had left home to do business in the city. His emotional performances brought tears in the eyes of viewers. He was used by Satyajit Ray in his film Manihara and Parash Pathar, and he did a great job in both the films. He was used by Tapan Sinha in the film Arohi, where he played the role of a compounder who gave all his earnings for the higher education of the doctor’s son. The doctor was played by Bikash Roy and Kali Banerjee’s relationship with him amazed the viewers. The film was remade in hindi where Sanjeev Kumar played the role played by Kali Banerjee. He did a great job in Tarun Majumdar’s Dadar Kirti.

He also played significant roles in the commercial films dominated by superstar Uttam Kumar. He played the role of automobile engineer in Uttam Kumar’s film Sonar Harin. He played the role of a villain in Uttam Kumar’s film Kokhono Megh. He also played character roles in Uttam Kumar’s films Shilpi, Surjo Toron, etc.

The modern generation remembers him for his brilliant performance in Anjan Choudhury’s film Guru Dakhhina in 1986. He played the role of music teacher of hero Tapas Pal who took the Guru Dakkhina under pressure of not allowing him to sing. But he took it back at the end of the film when Tapas Pal sang. He acted in bollywood films as well, including Hrishikesh Mukherjee’s film Bawarchi, which was the hindi remake of Tapan Sinha’s film Golpo Holeo Satti.

He also acted in many plays which were hosted in landmark halls in Kolkata including Arogyo Niketan, Khuda, etc. Most of these plays were made into films, but Kali Banerjee’s performances did outcast of the performances of the actors in the films.

He had the same style of acting gharana which was there in bollywood actor Sanjeev Kumar. He was cast in multifarious roles and still remains one of the most versatile actors of all times. His films and other works should be preserved.

Bosonto Choudhury superseded Uttam Kumar in Shankhabela.

Bosonto Choudhury superseded Uttam Kumar in Shankhabela.

Bosonto Choudhury superseded Uttam Kumar in Agragami’s epic film Shankhobela. The film was released in the year 1966 and ended up being a blockbuster.

There was lot of history behind the film. Sudhin Dasgupta, the composer of music in the film for the first time used Manna Dey to sing for Bengali superstar Uttam Kumar. All the songs in the film sung by Manna Dey and Lata Mangeshkar became super hit. Some of them included “ke pratham kache esechi”, picturised in the romantic scenario of Maithon amidst river Damodar, “ami agantuk ami barta dilaam”, “aaj mon cheyeche ami hariye jabo”, to name a few.

As far as Bosonto Choudhury was concerned, he was one of the competitors of Uttam Kumar other than Bikash Roy and Astiboron, who had started their careers with Uttam Kumar. Bosonto Choudhury acted in lesser number of films, as he only signed those films which suited his culture, aristocracy and education. Therefore from his first film Mahaprashthaner Pothe, his performance in noted films used to depict aristocracy legacy of Bengal that was left behind by Chabi Biswas.

In Shonkhobela, he played the role of the doctor, who treated Uttam Kumar’s son, after Uttam Kumar left his Madhabi. Madhabi could not compromise with Uttam Kumar’s fast life, full of parties and hard drinks, which was necessary for the success of his marketing career. She left the house of Uttam Kumar and worked in a school to upbring her child.

Bosonto Choudhury showed compassion to Madhabi, and understood her social standing while treating the child. The story of her life was told to him by his assistant played by Mrinal. The child had to be treated and operation had to be carried out which the signing of bond by the guardian. Bosonto Choudhury compelled the father of the child Uttam Kumar to come and sign the bond.

He scolded Uttam Kumar for remaining carefree about his son who was terribly sick. Bosonto Choudhury’s astounding personality in the film brought back the marital peace of Uttam Kumar and Madhabi Muherjee who stayed separately after the differences were made.

The viewers appreciated Uttam Kumar’s brilliant performance in the role of a romantic husband which he depicted with highest amount of maturity. Uttam Kumar’s romantic style of performance had always created a benchmark in the world of romantic acting and that was the reason why Oscar Winning director Satyajit Ray had considered Uttam Kumar as the greatest matinee idol, fulfilling the aspirations of numerous middle-class Indians. But some way down the line, Bosonto Chouhdury superseded Uttam Kumar with his aristocrat performance and at the end of the film received higher accolades from the critics and educated section of the society. Both Uttam Kumar and Bosonto Choudhury had immense contribution in Bengali classic films, and their space had remained empty after 50 years of the completion of the films. For those reasons Shonkhobela should be preserved and restored.