Showing posts with label Kaberi Bose. Show all posts
Showing posts with label Kaberi Bose. Show all posts

Aranyer Dinratri was Ray's masterpiece.


Aranyer Dinratri was Ray’s masterpiece.

Satyajit Ray experimented with classic literature of Sunil Ganguly to make the film Aranyer Dinratri in 1969. The film was based on the life of tribals of forest area in the region of Palamou and Daltongunge in Bihar.

It was Ray’s masterpiece. The film was related to the experience of four Bengali friends who went for a travelling experience in Palamou for few days. Soumitra Chatterji, Subhendu Chatterji, Samit Bhanja and Robi Ghosh were the four friends.

They met the family Pahari Sanyal who had a house in the forest region. The life of the tribals and the solitude attracted the friends and they started staying in the forest bunglow without the permission of the forest ranger. Pahari Sanyal’s daughter Sharmila Tagore fell in love with Soumitra Chatterji, while his daughter-in-law Kaberi Bose liked Subhendu Chatterji.

Samit Bhanja, a cricket player in the film was depressed about his girlfriend Aparna Sen in Kolkata and mixed with Simmi Garewal, a tribal girl. In fact it was the only film of Satyajit Ray where Simmi Garewal acted. He was beaten up by a local tribal, who he accused about stealing his purse. In fact his purse fell down in the house of Pahari Sanyal where he was playing badminton with Kaberi Bose, Subhendu Chatterji and Robi Ghosh.

They returned back after staying for few days. It was pity that Satyajit Ray could not make a coloured film in 1969, otherwise, the weird landscape of Daltongunge would have haunted the viewers. The nightlife in the tribal forest was very unique with the native people drinking a kind of desi alcohol and sleeping.

Goutam Ghosh got attracted with the film and made a sequel of it with the title Abar Aranye, few years back. He had to change the team, because although Soumitra Chatterji, Subhendu Chatterji and Samit Bhanja was alive, Robi Ghosh had died. Kaberi Bose also died in the late 70s. The film won a number of awards both nationally and internationally. The film Aranyer Dinratri should be preserved and restored.

Shyamali became super hit due to brilliance of Ajoy Kar.


Shyamali became super hit due to brilliance of Ajoy Kar.

Ajoy Kar, the classic director of 50s and 60s experimented with classic literature of Ashapurna Debi in the film Shyamali. It was a great risk and there was possibility of the viewers not accepting the film. The reasons were obvious. The literature was read by entire Bengali community of the country.

The same story of Shyamali was played in Star Theatre in Kolkata for 4 years in the mid-50s. In the play Uttam Kumar and Sabitri Chatterji played the lead roles while Sarajubala Debi played the role of the mother of Uttam Kumar. Ajoy Kar picturised Shyamali in 1956 with the team of Uttam Kumar and Kaberi Bose. And Malina Debi played the role of the mother of Uttam Kumar. Previously it had been seen that any play which was successful with the audience did not do well when picturised in film. Shyamali was an exception.

In the film Ahindra Choudhury had two daughters, Kaberi Bose being the elder one. Kaberi Bose was deaf and dumb. Her younger sister was proposed to be married to Uttam Kumar, but due to fulfillment of wishes of Kaberi Bose, the priest chanted mantras related to marriage with Uttam Kumar. Uttam Kumar accepted Kaberi Bose as wife while his friend married the younger sister Bijoli. Ahindra Choudhury wanted Uttam Kumar to marry Bijoli, but Uttam Kumar sacrificed his life for Shyamali saying that mantras were already chanted and marriage was done. But Uttam Kumar’s mother Malina Debi did not accept Kaberi Bose as her daughter-in-law. Uttam Kumar did not have any other option but to leave Kaberi Bose in her mother’s house.

Uttam Kumar and Malina Debi went for pilgrimage to Hrishikesh, Badrinath, Kedarnath and brought Anubha Gupta who lost her parents and served Uttam Kumar when he became extremely sick whiling to travelling to those places. Malina Debi wanted to marry Uttam Kumar with Anubha Gupta.

But Uttam Kumar tried to convince her that his wife Kaberi Bose was still alive. When Uttam Kumar heard that Kaberi Bose’s mother Aparna Debi died and she slept with the photo of Uttam Kumar, he went to her house and brought her back. Uttam Kumar finally convinced Malina Debi that although Kaberi Bose could not speak, she could react to human actions, had a human mind full of feelings. She required her blessings to start a journey in the new family.

The film became super hit due to sheer brilliance of Ajoy Kar. Uttam Kumar, Kaberi Bose, Malina Debi, Anubha Gupta were all sublime in their respective roles. Malina Debi in fact outcast Sarajubala Debi who was a phenomenon in Bengali stage. The film should be restored to remind the viewers about a successful play being remade into film which featured the same level of excellence as depicted in the play.

Uttam Kumar was outstanding in Nagardarpane.


Uttam Kumar was outstanding in Nagardarpane.

By mid-70s Uttam Kumar transformed himself from a stylish romantic actor to a powerful character artist. Nagardarpane was an experiment done by director Dilip Mukherjee under the banner of Jatrik in 1975. Ashutosh Mukherjee, the epic writer wrote a challenging story which was directed by Dilip Mukherjee.

Uttam Kumar played the role of the elder brother of the family. He was asked to stay in his uncle’s house after the death of his father. He sacrificed his childhood to establish himself to take care about the family. He got a decent job in Kolkata and also continued his career as a novelist.

He brought up his two brothers, Dilip Mukherjee being the second brother. Dilip Mukherjee joined the police. He married Kaberi Bose and got a child. But in his office he could not compromise against the evil practices of his boss played by Haradhon Banerjee who misused his PA played by Supriy Choudhury. He had to resign from his job.

Uttam Kumar’s mother Chaya Debi died. He took pains to send his youngest brother abroad after paying all the money he had saved for his life. But his brother returned back abroad after failing in all the subjects in higher studies.

The youngest brother also developed illicit relationship with the wife of Dilip Mukherjee. At every level of the society Uttam Kumar found only corruption and lack of human values. When he tried to protest about all this back in the house he was beaten up by his younger brother played by Dilip Mukherjee. Uttam Kumar wanted to send his child to RK Mission to learn discipline. Instead his brother Dilip Mukherjee send him to Convent School in Darjeeling.

His wife Kaberi Bose also did a job to support the family. At the end of the family when Uttam Kumar was send to a mental asylum, he told everyone in the house that was there a bigger mental asylum where each and every family member could not send because he found lack of values in all of them. The film got box-office success inspite of being related to philosophical thoughts of Asutosh Mukherjee. Uttam Kumar was unparallel and brilliant in his role. For those reasons the film should be restored.

Ajoy Kar took risk of making Shyamali with Uttam Kumar.




Ajoy Kar took risk of making Shyamali with Uttam Kumar.

Ajoy Kar, the classic director of 50s and 60s experimented with classic literature of Ashapurna Debi in the film Shyamali. The literature was read by entire Bengali community of the country.

The same story of Shyamali was played in Star Theatre in Kolkata for 4 years in the mid-50s. In the play Uttam Kumar and Sabitri Chatterji played the lead roles while Sarajubala Debi played the role of the mother of Uttam Kumar. Ajoy Kar picturised Shyamali with the team of Uttam Kumar and Kaberi Bose. And Malina Debi played the role of the mother of Uttam Kumar. Previously it had been seen that any play which was successful with the audience did not do well when picturised in film. Shyamali was an exception.

In the film Ahindra Choudhury had two daughters, Kaberi Bose being the elder one. Kaberi Bose was deaf and dumb. Her younger sister was proposed to be married to Uttam Kumar, but due to fulfillment of wishes of Kaberi Bose, the priest chanted mantras related to marriage with Uttam Kumar. Uttam Kumar accepted Kaberi Bose as wife while his friend married the younger sister Bijoli. But Uttam Kumar’s mother Malina Debi did not accept Kaberi Bose as her daughter-in-law. Uttam Kumar did not have any other option but to leave Kaberi Bose in her mother’s house.

Uttam Kumar and Malina Debi went for pilgrimage to Hrishikesh, Badrinath, Kedarnath and brought Anubha Gupta who lost her parents and served Uttam Kumar when he became extremely sick whiling to travelling to those places. Malina Debi wanted to marry Uttam Kumar with Anubha Gupta.

But Uttam Kumar tried to convince her that his wife Kaberi Bose was still alive. When Uttam Kumar heard that Kaberi Bose’s mother Aparna Debi died and she slept with the photo of Uttam Kumar, he went to her house and brought her back. Uttam Kumar finally convinced Malina Debi that although Kaberi Bose could not speak, she could react to human actions, had a human mind full of feelings. She required her blessings to start a journey in the new family.

The film became super hit due to sheer brilliance of Ajoy Kar. Uttam Kumar, Kaberi Bose, Malina Debi, Anubha Gupta were all sublime in their respective roles. Kalipada Sen composed music for the film. The film should be restored to remind the viewers about a successful play being remade into film which featured the same level of excellence as depicted in the play.

Review of Uttam Kumar's Ami Se O Sakha.




Review of Uttam Kumar's Ami Se O Sakha.

Uttam Kumar’s Ami Se O Sakha was released in 1975 and created a great impact in the minds of the viewers. The director Mongol Chakravarty experimented with the literature of Ashutosh Mukherjee and the brilliant performances of the team of actors and actresses created a different dimension for the film.

Uttam Kumar belonged to a poor family in the family. His elder brother which was played by Uttam Kumar again with a different make up earned money by teaching students in the locality. One of such student Aroti Bhattacharya misbehaved with him, and her father thinking that the teacher had a bad character whipped him. Uttam Kumar’s brother turned insane and did spend the rest of the life in an asylum.

Uttam Kumar was brought up by Asitboron, the father of Anil Chatterji, who gave a new life to Uttam Kumar. Both Uttam Kumar and Anil Chatterji became doctors. They met Kaberi Bose, a writer in Lucknow and from that time got attached with her. Anil Chatterji married Kaberi Bose and all three of them remained friends. Anil Chatterji went abroad and returned to Kolkata and opened a nursing home.

Uttam Kumar met Aroti Bhattacharya, the wife of Tarun Kumar and ridiculed her in a party to take revenge about the ill-treatment done to his brother which compelled him to become insane. Uttam Kumar disclosed before Kaberi Bose about the entire event and the reasons for his action.

But Anil Chatterji got involved in unlawful practices. He took money for abortion of a child and the mother of the child died in the process. Uttam Kumar took Anil Chatterji’s blame on him and suffered imprisonment for seven years. He sacrificed his life to repay the contribution of Anil Chatterji’s father Asitboron who brought him up. Uttam Kumar lastly said he wanted to see a happy family of Anil Chatterji when he came out of prison, a family with a child.

The film was related to a serious subject and as such there was hardly any scope for songs. Even then Shyamal Mitra’s music was impressive. The two songs “emon sapna kokhone dekhini age” sung by Haimanti Shukhla and “ei hashi manay nato” sung by Shyamal Mitra were successful. Uttam Kumar, Anil Chatterji and Kaberi Bose were at their best in the film.

The film was remade with the title Bemisaal by Hrishikesh Mukherjee in the late 70s. The film did excellent business in bollywood. Amitabh Bacchan played the role of Uttam Kumar in that film, while Vinod Mehra played the role of Anil Chatterji in the film and Rakhee played the role of Kaberi Bose. Ami Se O Sakha was a clear example Kolkata’s dominance in All India films and for those reasons the film should be preserved and restored.