Bosonto Choudhury superseded Uttam Kumar in Shankhabela.

Bosonto Choudhury superseded Uttam Kumar in Shankhabela.

Bosonto Choudhury superseded Uttam Kumar in Agragami’s epic film Shankhobela. The film was released in the year 1966 and ended up being a blockbuster.

There was lot of history behind the film. Sudhin Dasgupta, the composer of music in the film for the first time used Manna Dey to sing for Bengali superstar Uttam Kumar. All the songs in the film sung by Manna Dey and Lata Mangeshkar became super hit. Some of them included “ke pratham kache esechi”, picturised in the romantic scenario of Maithon amidst river Damodar, “ami agantuk ami barta dilaam”, “aaj mon cheyeche ami hariye jabo”, to name a few.

As far as Bosonto Choudhury was concerned, he was one of the competitors of Uttam Kumar other than Bikash Roy and Astiboron, who had started their careers with Uttam Kumar. Bosonto Choudhury acted in lesser number of films, as he only signed those films which suited his culture, aristocracy and education. Therefore from his first film Mahaprashthaner Pothe, his performance in noted films used to depict aristocracy legacy of Bengal that was left behind by Chabi Biswas.

In Shonkhobela, he played the role of the doctor, who treated Uttam Kumar’s son, after Uttam Kumar left his Madhabi. Madhabi could not compromise with Uttam Kumar’s fast life, full of parties and hard drinks, which was necessary for the success of his marketing career. She left the house of Uttam Kumar and worked in a school to upbring her child.

Bosonto Choudhury showed compassion to Madhabi, and understood her social standing while treating the child. The story of her life was told to him by his assistant played by Mrinal. The child had to be treated and operation had to be carried out which the signing of bond by the guardian. Bosonto Choudhury compelled the father of the child Uttam Kumar to come and sign the bond.

He scolded Uttam Kumar for remaining carefree about his son who was terribly sick. Bosonto Choudhury’s astounding personality in the film brought back the marital peace of Uttam Kumar and Madhabi Muherjee who stayed separately after the differences were made.

The viewers appreciated Uttam Kumar’s brilliant performance in the role of a romantic husband which he depicted with highest amount of maturity. Uttam Kumar’s romantic style of performance had always created a benchmark in the world of romantic acting and that was the reason why Oscar Winning director Satyajit Ray had considered Uttam Kumar as the greatest matinee idol, fulfilling the aspirations of numerous middle-class Indians. But some way down the line, Bosonto Chouhdury superseded Uttam Kumar with his aristocrat performance and at the end of the film received higher accolades from the critics and educated section of the society. Both Uttam Kumar and Bosonto Choudhury had immense contribution in Bengali classic films, and their space had remained empty after 50 years of the completion of the films. For those reasons Shonkhobela should be preserved and restored.

Manna Dey and Sudhin Dasgupta.

Manna Dey and Sudhin Dasgupta.

Manna Dey had a very sweet relationship with Sudhin Dasgupta. He was used by almost all the leading composers of Bengal namely Anil Bagchi, Nochiketa Ghosh, Salil Choudhury and others. But probably his westernized andaz was used to the limit by Sudhin Dasgupta.

Sudhin Dasgupta used Manna Dey in Uttam Kumar’s film Goli Theke Rajpoth with the song “lag lag lag lag bhelkir khela”. Manna Dey’s songs “ami agantuk” and “ke prothom kache esechi” composed by Sudhin Dasgupta in Uttam Kumar’s film Shankhabela created sensation in Bengali celluloid in 1966. Manna Dey’s songs “ami kon pothe je choli” and “bachao ke acho” in Uttam Kumar’s film Choddobeshi became super hit as well.

In the 70s, Manna Dey’s songs “esechi ami esechi”, “lekha porata shikhe phele” and “paye paye joriye rakho” in Uttam Kumar’s film Har Mana Har created sensation as well. Uttam Kumar gave the lips of his lifetime in the film Har Mana Har. While major success of Sudhin Dasgupta came in Uttam Kumar’s films, he made major contribution in Soumitra Chatterji’s films as well. The songs “ei shohor theke aro anek dure”, “hoyto tomari jonyo”, “jibone ki pabona” in the film Teen Bhubaner Pare, composed by Sudhin Dasgupta and sung by Manna Dey showed the westernized orchestration of the giant composer.

Sudhin Dasupta’s songs in Soumitra’s films Prothom Kodom Phul and Bosonto Bilaap were equally successful. Manna Dey’s all round musical skills were used to perfection in these films. Even the song “ogo tomar sesh bichare asay” sung by Manna Dey in bayul andaz in Kali Banerjee’s legendary film Dak Horkora, and composed by Sudhin Dasgupta made the viewers speechless.

Manna Dey sang many numbers of solo numbers as basic discs under the compositions of Sudhin Dasgupta. One of the notable songs included “ami taar thikana rakhini”. The songs of Sudhin Dasgupta and Manna Dey combination should be preserved and restored.

Review of Uttam Kumar's Shankhabela.

Review of Uttam Kumar’s Shankhabela.

Uttam Kumar was the uncrowned monarch of Bengali classic films of the 50s, 60s and 70s. He had acted in around 205 films, so most of his films are landmarks in Bengali film industry. But some of the films created history due to some unique reasons. Shankhabela is one of that kind of film.

The film as released in 1966. Uttam Kumar was big corporate officer in the film who had married Madhabi Mukherjee and had a small son. Due to requirement of corporate world, he had to give parties distribute drinks to the business tycoons of the respective jurisdiction and get involved in drinking himself. All these activities were not like by Madhabi Mukherjee. She felt that all those activities could spoil her son.

After repeated requests when Madhabi saw that Uttam Kumar could not avoid parties, drinking, etc., she left the house and lived separately with her son. The son fell seriously in due period of time and was brought before Bosonto Choudhury, a specialist doctor in Kolkata. He asked her to get her son admitted in the hospital.

While treating the child he tried to reunite the family which was virtually separated. He called Uttam Kumar, the father of the child, and told him about his son’s sickness and rebuked him for failing to fulfill the responsibilities of a father. After curing the child he asked Uttam Kumar to take his wife and child back home thereby ending their mental differences.

The important fact in the film was that the composer Sudhin Dasgupta, used Manna Dey, the legendary singer of bollywood films to sing songs for Uttam Kumar, for the first time. He was associated with successful Hemant Kumar whose matched him the most. Manna Dey was previously used in the song “lag lag lag lag velki khela” in Uttam Kumar’s film Goli Theke Rajpoth in 1959, by Sudhin Dasgupta, but that was not a musical film, and the musical excellence of Manna Dey remained unnoticed.

Manna Dey and Lata Mangeshkar’s spirited performance in the songs “ke pratham kache asechi”, “ami agantuk ami barta dilam”, “aaj mon cheyeche ami hariye jabo” flabbergasted the Bengali audience. Due to the success of Shankhabela, Manna Dey dethroned Hemant Kumar from being the dominant singer in Bengali films, and created a magical combination with Uttam Kumar till his death. Manna Dey’s hit songs for Uttam Kumar stormed Bengali films like Anthony Firingi, Nishi Padda, Chowrangee, Jibon Mrityu, Stri, Chaddabeshi, Chiradiner, Sanyasi Raja, etc., to name a few.

Besides, Uttam Kumar gave the most romantic lips in a boat with Madhabi in Mython in the romantic song “ke prothom kache esechi”. The composition was totally westernized and the lyrics written by Pulak Banerjee was very romantic. Even legendary composer Naushad appreciated Sudhin Dasgupta for making the tune of “ke pratham kache esechi”, when Sudhin Dasgupta went to Bombay to place it before Manna Dey and Lata Mangeshkar.

The other aspect of the film directed by Saroj De ( the main director of Agragami), was the casting of Bosonto Choudhury in the role of the doctor. He was assisted by a panel of doctors including Mrinal who had his debue in the film, but his personality overshadowed the romantic personality of Uttam Kumar. Critics argue that Bosonto Choudhury gave his best performance in the film Shankhabela. The film addressed the intellectual viewers of Bengal and other parts of the country and could be very well categorsied as cine-classic. The film and the songs should be restored for those reasons.