Sonu Nigam require more romantic numbers in 2010.
There was a time whenever discussion hovered around recent romantic numbers in bollywood films, Sonu Nigam’s name emerged automatically.
It started with “hume jab se muhobbat ho gayi hai” in Border for Akshay Khanna. It continued in Refugee. The songs “panchi nadiya”, “aisa lagta hai”, “mere humsafar” composed by Anu Malik and picturized on Abhishek Bacchan.
After 2000, Sonu Nigam still gave romantic numbers like “piya bole piya bole” in Parineeta, composed by Shantanu Moitra for Saif Ali Khan, “pal pal pal pal pal pal, kaise katega pal” composed by Shantanu Moitra for Sanjay Dutt in Lage Raho Munnabhai.
Even the song “chup chup ke chup chup ke” from Bunty Aur Babli had romantic appeal. It was composed by Shankar Ehsaan Loy. Anu Malik’s composition for Sonu Nigam in Salman Khan’s Janeman titled “sau dard hai” had both pathos and romantic appeal embedded in them.
But in the last year excepting “kal nau baje” from the film Short Cut, he did not have striking number of romantic songs. In 2010, he should get back to romantic numbers which are most soothing in the years of listeners. These days very rarely romantic songs were composed.
Sonu Nigam’s song “phir se” in the film Toh Baat Pakki in 2010, or his song in Salman Khan’s film Veer, composed by Sajid Wajid is not as romantic as the songs of the previous films like Tumko Bhula Na Payenge, where the title song had a haunting effect.
Experimental songs do well and show the range of playback singers. But they don’t create a lasting impact. For example, Sonu Nigam’s song “all is well” in The Three Idiots became hit, but his followers want Sonu Nigam to get back to romantic songs where he had been elegant in the 90s. Let us hope for the best.
There was a time whenever discussion hovered around recent romantic numbers in bollywood films, Sonu Nigam’s name emerged automatically.
It started with “hume jab se muhobbat ho gayi hai” in Border for Akshay Khanna. It continued in Refugee. The songs “panchi nadiya”, “aisa lagta hai”, “mere humsafar” composed by Anu Malik and picturized on Abhishek Bacchan.
After 2000, Sonu Nigam still gave romantic numbers like “piya bole piya bole” in Parineeta, composed by Shantanu Moitra for Saif Ali Khan, “pal pal pal pal pal pal, kaise katega pal” composed by Shantanu Moitra for Sanjay Dutt in Lage Raho Munnabhai.
Even the song “chup chup ke chup chup ke” from Bunty Aur Babli had romantic appeal. It was composed by Shankar Ehsaan Loy. Anu Malik’s composition for Sonu Nigam in Salman Khan’s Janeman titled “sau dard hai” had both pathos and romantic appeal embedded in them.
But in the last year excepting “kal nau baje” from the film Short Cut, he did not have striking number of romantic songs. In 2010, he should get back to romantic numbers which are most soothing in the years of listeners. These days very rarely romantic songs were composed.
Sonu Nigam’s song “phir se” in the film Toh Baat Pakki in 2010, or his song in Salman Khan’s film Veer, composed by Sajid Wajid is not as romantic as the songs of the previous films like Tumko Bhula Na Payenge, where the title song had a haunting effect.
Experimental songs do well and show the range of playback singers. But they don’t create a lasting impact. For example, Sonu Nigam’s song “all is well” in The Three Idiots became hit, but his followers want Sonu Nigam to get back to romantic songs where he had been elegant in the 90s. Let us hope for the best.
