Rafi Madanmohan Night in Kolkata.

Rafi Madanmohan Night in Kolkata.

To mark music icon Rafi Sahab's, 30th death anniversary, the Rafi Lovers Circle conferred their 6th Mohammed Rafi Award 2010, posthumously, to honour music composer Madan Mohanji, an an event in Kolkata on Sunday, 1st Aug 2010, at The Satyajit Ray Auditorium, Indian Council of Cultural Relations, in Kolkata.

Rafi Sahab, the undisputed music icon and Madanji the legendary composer, created many memorable melodies together....many of them will be remembered forever. Titled Remembering Madan Mohan with Sanjeev Kohli, the concert opened with a video clip of 31st July, 1980, and then panned to some stunnings footage showing Rafi Sahab live, including him singing a few uncommon songs in his inimitable style. Seasoned RLC singers also chipped in with some vintage melodies like Aap ke pehlu mein aa kar ro diye, Ek haseen shaam ko dil mera kho gaya, Yun rootho na haseena meri jaan pe ban aaege, Zameen se hamein aasman tak, Ye maana meri jaan mohabbat saza hai, Rang aur noor ki baraat kise pesh karoon, Main Nigahen tere chehre se hatau kaise, and Tere paas aake mera waqt guzar jata hai.

Preceding the Award presentation, was the screening of a 20 minute exclusive Film Meri Awaaz Suno conceived and produced by by Madanji's illustrious eldest son Mr Sanjeev Kohli, the erstwhile GM of HMV ( EMI India ) and the creator of the popular HMV / Sa Re Ga Ma music Cd's and Cassettes. in the Legends, Golden Collections, Revivals and Anmol Ratan . Connoisseurs of Hindi film sangeet will recognise this as a veritable treasury of timeless music and evergreen songs.

The Rafi Lovers Circle headed by Founder President, Ruhi Khan, instated this award from 2005, and awards it to a music personality who has worked closely with Rafi Saab. Earlier receipients have included composers Ravi and Omi ( of Sonik- Omi ), Singers Sharda, Mubarak Begum and a postumous honour for Mahendra Kapoor, recived by his son Ruhan Kapoor. Considering the fact that Rafi Saab worked closely with Madanji from his 1st film Ankhen to his last unfinished work, Laila Majnu, it was indeed an ardous task of honouring these stalwarts with dignity and honour. The committee rose as one and very soon the 6th Mohammed Rafi Memorial Award
was being recived by Mr Sanjeev Kohli.

Post award, Sanjeev ji spoke from the heart about the recognition denied to Madanji both by the industry - Not a single Filmfare Award -inspite of a string of chart busters, and also from the Govt of India, who did not honour Madanji even with a Padma Shri, perhaps because he was an upright honest man who refused to pamper the egos of the decision makers. He pleaded to music lovers to always give good music composer, or singer his due during his lifetime. He said he was very happty to be in Kolkata with his son, Akshay Kohli and was delighted to receive the award on his behalf of his father, who passed away at the young age of 51. He thanked the circle President for inviting him to Kolkata and requested all music lovers in the audience to support organisations like Rafi Lovers Circle, who are constantly making an endeavour to revive / recreate that golden songs of yesteryears.

The evening ended with a soft ballad wafting in the background, an ode to the titans.
The title number, from the unreleased collection of Madanji songs all in 1 cd / casste, tiltled Tere Baghair.
..........Kaise Kategi Zindagi, Tere Baghair, Tere Baghair.
The awaaz, unmistakeably Mohammed Rafi Saheb.
The music, Madan Mohan Sb all the way,

Hashim Khan
Convenor

Remembering Rajender Kumar on his birthday.

Remembering Rajender Kumar on his birthday.

The viewers remember Jubilee Kumar Rajender Kumar on his birthday on 20th July, 2010. He had died few years back and his viewers all over India and outside India had mourned the death of the legendary romantic actor.

From 1963 to 1966, all his films celebrated silver jubilees. From that time he became Jubilee Kumar. His films were designed in the same lines as that of Dilip Kumar, and he was successful in getting appreciation of the refined viewers of the country. Right from Goonj Uthi Shehnai, he acted in roles which were sacrificing nature and most of the roles touched the hearts of the viewers. He was sublime in Mere Mehboob and Aarzoo opposite Sadhna, Dil Ek Mandir, Chirag Kahan Roshni Kahan, opposite Meena Kumari. He acted in many films opposite Vaijayantimala and most of them ended up becoming superhit films, including Zindagi, Sangam, Aas Ka Panchi, Ganwar, Suraj, Saathi, to name a few. Mere Mehboob ended up being the biggest blockbuster in 1963, surpassing the other successful films made that year including Taj Mahal and Phir Wohi Dil Laya Hoon.

Rajender Kumar acted in superhit films opposite Saira Banu as well including Ayee Milan Ki Bela, Jhuk Gaya Aasman, Aman, etc. Rajender Kumar’s films were also remembered by the audience for their everlasting music composed by Shankar Jaikishan and Naushad. SJ’s music in the film Ayee Milan Ki Bela, with Rafi’s songs like “mai pyar ka diwana”, “aha aye Milan ki bela”, “o sanam tere ho gaye hum”, “tum khamseen ho” became invaluable hits. SJ’s music in the film Suraj was equally impressive with Rafi’s songs like “chehere pe giri zulfein”, “kaise samjhayun”, “baharon phool barsao”, “itna hai tujhse pyar mujhe”, etc., storming bollywood in the mid-60s. The sad songs of Rafi composed by Shankar Jaikishan for Rajender Kumar had become immortal over the years like “yaad na jaye”, “dil ke mandir hai” sung in the film Dil Ek Mandir, “surahidaar garden koel si hi awaz” in Aman, “saccha hai ghar” in Jhuk Gaya Aasman, “khuda bhi aasman se” in Dharti, “meherbaan likhoon” in Sangam, to name a few.

Naushad gave his career’s best music in the film Mere Mehboob. All the songs sung by Rafi and Lata including “mere mehboob tujhe”, “ai husn zara jag tujhe”, “tumse izhaar – e – haal”, etc., astonishing listeners in India and abroad. Also the songs of Palki, like “dil –e –betaab ko seene se lagana hoga”, showed the high quality of ghazals which were given adequate expression by Rafi.

Rajender Kumar never received any filmfare award for his performance, but the viewers in India and abroad acknowledged his creditable performance in most of the films. His films should be revisited.

Classical songs sung by Rafi and Manna Dey together.

Classical songs sung by Rafi and Manna Dey together.

Music of bollywood films reached its zenith during the 50s and 60s. Composers, lyricists and singers of diversified cultures and came together and produced masterpieces. During that period the classical rendition of orthodox songs sung by Rafi and Manna Dey had made the listeners spellbound and still remain immortal more than 50 years after their creation.

Qawallies were composed in style during that period. In the film Barsaat Ki Raat in 1960, composer Roshan’s qawalli “na to karwan ki talash hai” started by Manna Dey and continued by Rafi with the lyrics “yeh ishq ishq hai ishq ishq”, was the major attraction in the film. Both Rafi and Manna Dey sang the qawalli in their own style and with their own harkats. Barsaat Ki Raat had other brilliant songs including the title song, but the qawalli stood as one of the superlative creations.

In the film Taj Mahal in 1963, the qawalli “chandi ka badan, sone ka nazar” composed by Roshan was another masterpiece. Rafi’s style of performance was as unique as Manna Dey’s one. The same was equally brilliant as the other songs like “jo wada kiya hai” sung by Rafi and Lata and “paon chu lene do” sung by Rafi.

In the film Bahu Begum in 1967, Rafi and Manna Dey probably competed against each other to prove their supremacy in the qawallies composed by Roshan. The song “dhoond ke layun kahan se mai” almost created an environment lying in a dargah. The individual classical touch given by Manna Dey was as brilliant as Rafi. The other song “waqib hoon khub ishq ke” sung by Rafi and Manna Dey made the audience speechless. Probably these songs were more difficult to sing than the solo songs like “hum intezar karenge” by Rafi or “duniya kare sawal” by Lata.

There were light songs sung by Rafi and Manna Dey together also. In Kalpana, their song “tu hai mera prem devta” composed by OP Nayyar was one example. In Parvarish, Dattaram composed the song “mama ho mama” for Rafi and Manna Dey. In the film Rustom Sohrab, Sajjad Hussain composed for Rafi and Manna Dey the song “phir tumhari yaad ayi”.

In the film Sachai, Shankar Jaikishan composed the song “ai dost mere” for Rafi and Manna Dey. Whenever Rafi sung duet with other playback singers the classical andaz could not be balanced by anyone. Whenever Manna Dey sang any duet with Rafi, whether a qawalli or any other semi-classical song, both the singers took their singing to a higher dimension, and the audience enjoyed the brilliant performances in the long run.

The songs and the films should be preserved.

Manna Dey recently gave interview in Zee Bangla.

Manna Dey recently gave interview in Zee Bangla.

Manna Dey gave recent interview before Anurag Basu in a program held in Zee Bangla on 1st July, 2010. Anurag Basu had hosted the program for more than a month now. Notable celebrities like Pritam, Shaan, Prasenjit Chatterji, Konkona Sen Sharma had been interviewed in the program. Questions were asked to the fans of the celebrities.

Manna Dey when asked between himself, Rafi and Kishore Kumar, where would he rank himself. He said that he would keep Rafi at no. 1 because according to him no one had sung sugam sangeet to the level of perfection of Rafi. He had kept Kishore Kumar at 2 and mentioned that after Rafi he was versatile and modulated the voice brilliantly for decades. He kept himself at no. 3. He said his songs were difficult to sing as they were classically oriented, but listeners enjoyed them. He sang the song “hey bhai zara dekh ke chalo” from Raj Kapoor’s film Mera Naam Joker in the program. He talked about lyricist Pulak Banerjee who had died some time back, but had given majority of songs to Manna Dey.

Manna Dey had a very sweet relationship with Sudhin Dasgupta. He was used by almost all the leading composers of Bengal namely Anil Bagchi, Nochiketa Ghosh, Salil Choudhury and others. But probably his westernized andaz was used to the limit by Sudhin Dasgupta.

Sudhin Dasgupta used Manna Dey in Uttam Kumar’s film Goli Theke Rajpoth with the song “lag lag lag lag bhelkir khela”. Manna Dey’s songs “ami agantuk” and “ke prothom kache esechi” composed by Sudhin Dasgupta in Uttam Kumar’s film Shankhabela created sensation in Bengali celluloid in 1966. Manna Dey’s songs “ami kon pothe je choli” and “bachao ke acho” in Uttam Kumar’s film Choddobeshi became super hit as well.

In the 70s, Manna Dey’s songs “esechi ami esechi”, “lekha porata shikhe phele” and “paye paye joriye rakho” in Uttam Kumar’s film Har Mana Har created sensation as well. Uttam Kumar gave the lips of his lifetime in the film Har Mana Har. While major success of Sudhin Dasgupta came in Uttam Kumar’s films, he made major contribution in Soumitra Chatterji’s films as well. The songs “ei shohor theke aro anek dure”, “hoyto tomari jonyo”, “jibone ki pabona” in the film Teen Bhubaner Pare, composed by Sudhin Dasgupta and sung by Manna Dey showed the westernized orchestration of the giant composer.

Sudhin Dasupta’s songs in Soumitra’s films Prothom Kodom Phul and Bosonto Bilaap were equally successful. Manna Dey’s all round musical skills were used to perfection in these films. Even the song “ogo tomar sesh bichare asay” sung by Manna Dey in bayul andaz in Kali Banerjee’s legendary film Dak Horkora, and composed by Sudhin Dasgupta made the viewers speechless.

Manna Dey sang many numbers of solo songs as basic discs under the compositions of Sudhin Dasgupta. One of the notable songs included “ami taar thikana rakhini”. The songs of Sudhin Dasgupta and Manna Dey combination should be preserved and restored.

Manna Dey received Dada Sahab Falke award and really deserved it. He is probably the last living legend. Viewers and listeners owe their respect to the versatile singer.

The nation remembers Pancham on his birthday.

The nation remembers Pancham on his birthday.

The nation remembers Pancham, better known as Rahul Dev Burman, on his birthday on 27th June, 2010. Almost 16 years passed after his death, yet his tunes had kept him alive among the young generations.

Being the son of legendary singer and composer SD Burman, he had a monumental task of proving his identity in the 60s. He came out with innovative tunes sung by Rafi in Mehmood’s film Chote Nawab. From that time onwards critics understood that RD Burman had come to create his unique identity. His biggest in the 60s came in Shammi Kapoor’s film Teesri Manzil in 1966. All the songs sung by Rafi and Asha became landmark hits including “o haseena zulfonwali”, “aaja aaja mai hoon pyar tera”, “janeman janejaa”, etc. Along with western composers like Shankar Jaikishan, OP Nayyar, Salil Choudhury, who were ruling the industry, RD Burman kept his feet on strong platform.

RD Burman and Rafi combination continued in films like Abhilasha with songs like “wadiyan tera daaman”, Jeetender’s Karwan with songs like “kitna pyara wada”, “are chadti jawani”, “are ho goriyan kahan tera des re”, Shashi Kapoor’s Pyar Ka Mausam, with songs like “tum bin jayun kahan”, “ni sultana re”, Rajesh Khanna’s The Train, with songs like “gulaabi aankhe”, “tujshe bhala yeh”, etc. RD Burman composed brilliant music in the film Chandan Ka Palna. Rafi and Asha’s song “zulfon ko aap yun” had soft romantic andaz. In the 70s, RD took the bollywood industry by storm. With death of Jaikishan, Roshan, Ghulam Mohammad, Vasant Desai, etc., the industry depended on Pancham, Laxmikant Pyarellal and Kalyanji Anandji for best music. They provided stability to the industry for the next 15 years.

RD Burman had monumental contribution in Rajesh Khanna and Big B’s films and gave a new life to Kishore Kumar. All the songs of films like Amar Prem, Kati Patang, Aap Ki Kasam, Namak Haram, Mehbooba, Barsaat Ki Ek Raat, Shaan, Shakti, etc. Memorable songs included “tere naina”, “kuch to log kahenge”, “ai sham mastani”, “janu meri jaan”, etc.

RD Burman contributed a lot in Uttam Kumar’s Bengali film Raj Kumari in 1970. The song “ki holo kabe holo” , created history which was remade in hindi in the film Amar Prem. Critics argue that RD Burman reserved his best music in Gulzar’s films. His songs for Lata in Suchitra Sen’s Aandhi titled “is mor se jaate hai”, Uttam Kumar’s Kitaab, “aa ii masterjiki ho gayi chutti”, Jeetender’s Kinara where Bhupinder Singh and Lata did their best in “naam gum jayega”, “meethe bol bole”, “ek hi khwab”, etc., Sanjeev Kumar’s Parichay, with Bhupinder’s “biti na bitai rehna”, etc.

He won the filmfare award for the best composer three times. The young generations associate themselves with RD’s tunes even today, in that count he was one of the versatile composers after Shankar Jaikishan, Naushad, Madanmohan, Roshan, etc.

On 22nd June, 2010, versatile singer Asha Bhosle came as judge in the Indian Idol music competition held by Sony Television. Very significantly veteran musicians who played landmark instruments with RD Burman adorned the show including famous Sexaphone Player Manohari Singh. The participants sang songs composed by RD Burman like “aaja aaja mai hoon pyar tera”, “janeman janeja”, “samundar mai nahake”, “one two cha cha cha”, etc. Asha Bhosle provided her expert comments to the participants and shared her experience with RD Burman. She said that had RD Burman survived, he would have given chance to the new participants as he liked new talents. The other judges namely Anu Malik, Sunidhi Chauhan and Salim Merchant also payed their tribute to RD Burman. RD Burman’s songs and films should be restored and revisited.

Happy birthday to Jeetender.

Happy birthday to Jeetender.

The viewers of bollywood films wish happy birthday to Jeetender, the golden hero of the 60s on 7th April, 2010. He has been considered as one of the most consistent actors who had steady box-office in the 60s, 70s and 80s.

In the early 60s, he started his career with the success in the film Geet Gaya Pattharone, opposite Rajashree. Bollywood industry was flooded with actors at that time including Showman Raj Kapoor, Tragedy King Dilip Kumar and the other matinee idols like Rajender Kumar, Pradeep Kumar, Shammi Kapoor, Bharat Bhushan and others. He had to face very strong competition to stay in the competition at that time.

Within a short period of time his dancing skills were cultivated by the directors and his films started making profits. His film Farz in 1967, opposite Babita, became super hit. The songs composed by LP and sung by Rafi created storms, including “mast baharon ka mai ashiq”, “baar baar din yeh aye”, etc. Besides, Jeetender’s dance performance in most of the songs entertained the viewers to a big extent.

From that time onwards, Jeetender had a great combination with LP, Rafi and Anand Bakshi. All the songs of the film Humjoli, Jeegri Dost and Banphool became superhit. Prominent songs included “mere desh me”, “dhal gaya din”, etc. Initially critics called Jeetender jumping jack, but his dancing skills followed by his acting skills made him a ruler in the 70s and 80s. He was blessed with romantic songs of Rafi and the composition of many brilliant composers of 60s and 70s. The songs of his film Mere Huzoor were equally romantic.

In 70s, he was probably the only romantic actor other than Rishi Kapoor, he survived the period relating to action films, when Big B, Vinod Khanna, Shatrughu Sinha and others gave hit action films one after the other. The hit films of Jeetender in the 70s include Karwan, Nagin, which continued in the 80s with the success of films like Asha opposite Reena Roy.

Jeetender also played a crucial in off-beat films of Gulzar like Parichay, Khushbu and Kinara where the intellectual audience had appreciated him. He gave very elegant lips in brilliant songs of Bhupinder Singh like “naam gum jayega”, “meethe bol bole”, etc. He transformed himself from an excited, energetic, youth to a reserve personality in Parichay, Khusbu and Kinara.

Jeetender’s in the 80s had compelled producers to launch him opposite young actresses like Sri Devi and Jaya Prada who were much younger than him in films like Himmatwala or Dharm Adhikari. After the launching of his son Tushar Kapoor in modern films, he had reduced acting in contemporary films.

But the viewers expect him to still continue in modern films in character roles just like before.

Geeta Dutt would have made huge difference had she survived in the 70s.

Geeta Dutt would have made huge difference had she survived in the 70s.

Singer Geeta Dutt, was born in a zamindar family as Geeta Roy Choudhury in Faridpur in Bangladesh in 1930. She married Guru Dutt and after his death left singing leading to an end of her career at a premature stage.

She had sung bhajans and other types of songs in the early 50s. Her song “sachimata go ami” became very popular among Bengali community in the early 50s. Her other notable modern Bengali songs in the 50s included “akashjure shapnamaya” and “tomay dekhechi tandrabihin ratero chayay” composed by Kanu Ghosh, which were related to the early creations of IPTA. She also sang successful songs composed by Sudhin Dasgupta like “jheeri jheeri choitali batashe”, “ektu chaowa”, “otho otho magouri”, “krishnachura agun tumi”, “kajol kajol kumkum”, etc. Her songs in pensive mood included “koto gaan haralam” composed by Anal Chatterji, “ektu chaoya ekto payoa”, “oi shur bhara dur nilimay”, composed by Kanu Ghosh, etc. Her songs composed by Binod Chatterji included “hridoy amar kichu Jodi bole”. Kanu Ghosh also composed a fast number for Geeta Dutt titled “ogo amar moner chiro udas anmona”. Salil Choudhury composed for Geeta Dutt “jaak na muche jaak” and sonay dekhe ango”.

Geeta Dutt’s songs in Bengali films stormed the tollywood as most of them were related to actress Suchitra Sen. Her successful songs included “tumi je amar” sung in Harano Sur, “ogo sundoro” sung in Uttam Kumar’s film Indrani, “ei shundo sarnali sondhay” in Hospital, to name a few. Her songs in other films included “banshi bujhi se” in the film Saathihara, “ke dake amay” in Swaralipi, “oi mayabi tithi” in the film Sonar Horin, to name a few.

In the mid-50s, Geeta Dutt sang notable songs in bollywood films as well. Some of her successful songs included “mera naam chinchin cho” in Howrah Bridge, composed by OP Nayyar, “ai dil mushkil” with Rafi in CID composed by OP Nayyar, “waqt ne kiya kya haseen sitam” in Kagaz Ka Phool composed by SD Burman, “khayalon me kisiki" in Bawre Nain composed by Roshan, “hum bhi hai tum bhi ho” in Jis Desh Me Ganga Behti Hai, composed by Shankar Jaikishan, to name a few.

But from the time Guru Dutt died in the mid-60s, Geeta Dutt stopped singing and sang back in the film Anubhav, titled “meri jaan”, “mera dil jo mera hota”, etc. That was the period when composers in Mumbai like Shankar Jaikishan, OP Nayyar, C. Ramchandran, Salil Choudhury experimented the most with westernized compositions. In that respect the listeners were deprived because, had Geeta Dutt seriously continued her singing most of the upcoming composers would have experimented with her.

Happy birthday to Shashi Kapoor.

Happy birthday to Shashi Kapoor.

The viewers of bollywood films wish happy birthday to Shashi Kapoor on 18th March, 2010. Very recently he received the filmfare lifetime achievement award.

Although he could not walk, he received the award on wheelchair. Born in 1938, Shashi Kapoor started his acting career in the film Aag in 1948 directed by his elder brother Raj Kapoor. He also showed his acting skills as a child artist in the film Awara in 1951. The film won different awards in international film festivals and ended up being super hit.

Shashi Kapoor acted in off-beat films at the beginning of his career like Prempatra opposite Sadhna. He entertained the audience with the film Jab Jab Phool Khilen in 1965. All the songs of Rafi composed by Kalyanji Anandji in the film became super hit like “pardesiyon se na”, “yahan mai ajnabee hoon”, “na na karke pyar”, etc. From that time Shashi Kapoor acted with Nanda in a number of films like Muhabbat Is Ko Kehte Hai, Neend Hamari Khwab Tumhari, etc.

In the late 60s Shashi Kapoor acted in many romantic films like Pyar Kiye Jaa, Kanyadaan, Abhinetri, etc. In the 70s, Shashi Kapoor acted in action films along with Amitabh Bacchan, at a time when action films dominated either types of films in bollywood.

His dialogue in the film Dewaar opposite Big B titled “mere paas ma hai” became immortal over the years. He acted in many films opposite Big B like Shaan, Do Aur Do Paanch, Iman Dharam, Namakhalal, Suhaag, Kala Pathhar, Kabhi Kabhi,Trishul, Silsila, etc., and most of those films ended up being blockbusters.

He was a close friend of Ismail Merchant and featured in many of his English films like Siddharta. He produced impressive films like Junoon directed by Shyam Benegal and Vijeta directed by Govind Nihalini. His sons Kunal Kapoor and Karan Kapoor acted in many films.

In the 1990s, Shashi Kapoor put on a lot of weight and stopped acting. He was in tears to receive the filmfare lifetime achievement award. The viewers pay homage to the veteran actor.

Tahir Hussain should be remembered for his works.

Tahir Hussain should be remembered for his works.

Director Tahir Hussain died on 2nd February, 2010, after having a massive heart attack. He had been known as the brother of notable filmmaker Nasir Hussain and father of Amir Khan.

He was associated with Director Nasir Hussain from the early 60s. He even acted in a small role in the film Jab Pyar Kisi Se Hota Hai released in 1961. Dev Anand and Asha Parekh played the main roles in the film and the music of the film was composed by Shankar Jaikishan. All the songs sung by Rafi and Lata became super hit including “jiya ho, jiya ho jiya kuch bol do”, “yeh ankhe uff yumma”, “sau saal pehele”, “teri zulfonki”, etc.

Tahir Hussain produced the super hit film Carvaan in the early 70s. The performance of Jeetender and Asha Parekh amazed the viewers. The dancing capabilities of Jeetender and Asha Parekh were appreciated by the viewers. RD Burman’s music became super hit with Rafi, Lata and Asha’s songs like “kitna pyara wada”, “piya tu”, “dilbar” entertaining the viewers.

Tahir Hussain produced the film Anamika in the 70s with Sanjeev Kumar and Jaya Bacchan. Both Sanjeev Kumar and Jaya Bacchan used to be considered the most versatile actor and actress of the 70s. Due to their variations in acting they were generally cast in off-beat films directed by Gulzar, Hrishikesh Mukherjee, etc. But Tahir Hussain used them in a romantic film which did great business.

In the mid-70s, Tahir Hussain switched on to action films. His film Zakhmee with Sunil Dutt and Asha Parekh became super hit. In the same film Rakesh Roshan, Reena Roy and others also were introduced he later on became great stars.

He produced the films Hum Hai Rahi Pyar Ke and Tum Mere Ho where Amir Khan played the lead roles. The films maintained the gharana of Tahir Hussain’s soft romantic stories which charmed the audience. These days his son Amir Khan has a wider popularity than the father as he is appreciated for giving super hit films like Ghajini and 3 idiots. Even then Tahir Hussain should b remembered for his great work and his films should be restored.

Aarti was a musical blockbuster of early 60s.

Aarti was a musical blockbuster of early 60s.

Bollywood films reached its zenith during the 60s. Director Phani Majumdar directed a classic film Aarti in the early 60s with Pradeep Kumar, Ashok Kumar and Meena Kumari.

Meena Kumari and Ashok Kumar became doctors together. Ashok Kumar went abroad for further studies and after return opened a clinic in West Bengal. Pradip Kumar saved Meena Kumari when she fell in a river in West Bengal while going to a relief camp after a natural calamity. From that time Meena Kumari was impressed with Pradeep Kumar.

Meena Kumari married Pradeep Kumar even after knowing that she had to live in a joint family along with Pradeep Kumar’s father played by Jagirdar and brother played by Ramesh Deo. Ashok Kumar wanted to marry Meena Kumari but due to disinclination showed by Meena Kumari the relationship did not mature.

At the end of the film Pradip Kumar met with a serious accident and required operation. Ashok Kumar was the only competent surgeon in the region to do the operation. Meena Kumari inspite of her differences relied on Ashok Kumar. Ashok Kumar had the scope of showing negligence and killing Pradeep Kumar. Instead he fulfilled the liabilities and responsibilities of a responsible doctor. As part of consideration she asked Meena Kumari to live happily with Pradeep Kumar and his family.

The most striking feature of the film included its superlative music. Roshan composed the tunes and Majrooh Sultanpuri wrote the lyrics. Rafi’s songs “ab kya missal doon mai tumhari shabab ki”, Rafi Lata’s duets like “baar baar mohe kya samjhaye” and “aapne yaad dilaya to mujhe yaad aya” stormed bollywood in the early 60s. Rafi was at his best and the lyrics were written by Majrooh Sultanpuri.

Pradeep Kumar was known for acting in historic films like Taj Mahal, Anarkali, Anandmath, etc. When he was cast in a social drama, Pradeep Kumar depicted the character of a middleclass Indian very well. He later got a job and showed his submissiveness before Meena Kumari. Meena Kumari was probably the most powerful actress of the classic age, that is the 50s and 60s. She as usual reached the depth of the character. Ashok Kumar was sublime in his individual role. The character artists in the film like Shashi Kala, Rajender Nath, Mehmood played their role in style. The film did great business. The film should be restored for its superlative music and powerful performances of the artists in the film.

Happy birthday to Raj Kapoor.

Happy birthday to Raj Kapoor.

Raj Kapoor is remembered by the nation on his birthday on 14th December, 2009. He was probably the most popular actor of bollywood films of the 40s, 50s and 60s other than Dilip Kumar.

Dilip Kumar and Raj Kapoor still remain the most popular actors of bollywood cinema in the last 70 years. One of the reasons of their immense success includes the superlative class of music being given to the giant actors by Naushad and Shankar Jaikishan.

Naushad gave classic tunes to Dilip Kumar in the films Uran Khatola, Kohinoor, Mughal-I-Azam, Leader, Dil Diya Dard Liya, Ram Aur Shyam, Aadmi, to name a few. Rafi and Shakeel Badayani were the other players in the deadly combination. Rafi’s songs for Dilip Kumar like “madhuban me radhika nachere”, “woh dur ke musafir”, “tere husn ki kya taarif karun”, “koi sagar dil ko behlata nahi”, “dilruba maine tere pyar me kya kya na kiya”, “aaj purani rahon se koi mujhe awaaz na den”, “na aadmi ka koi bharosa”, “do sitaron ka zameen par hai Milan aaj ki raat”, etc., remain one of the greatest creations of all times. If Naushad was unparallel as a composer, Shakeel Badayani was unparallel as a lyricist, Rafi was matchless as singer and Dilip Kumar matchless as an actor.

Producer director Raj Kapoor was the closest competitor of Dilip Kumar during the 40s, 50s and 60s. In fact both the giants had acted together in the film Andaz in 1949. Raj Kapoor’s deadly combination with Shankar Jaikishan had produced super hit films like Barsaat, Aah, Awara, Shree 40, Chori Chori, Anari, Jis Desh Me Ganga Behti Hai, Sangam, to name a few. The music of those films were equally popular and successful. Songs of Mukesh and Manna Dey like “ramaiya vasta maiya”, “mur murk e na dekh”, “sab kuch seekha humne”, “yeh raat bheegi bheegi”, “o mehbooba”, “dost dost na raha” “aa aab laut chalen”, had not lost their flavor even after 50 years of their creation. As Raj Kapoor had other qualities besides acting including production, direction, editing, etc., he is considered the greatest showman of all times even today.

As far as the compositions of Naushad and Shankar Jaikishan are considered, both the composers had very strong classical orientation. Naushad gave folk tunes to Dilip Kumar in Ganga Jumna sung by Rafi including “nain lad jaiy he” and Lata in “dhoondo dhoondo resaajna”, etc. Shankar Jaikishan gave folk tunes to Raj Kapoor in Teesri Kasam in songs like “chalet musafir” sung by Manna Dey, to name a few.

If Naushad displayed the muslim culture of Lucknow, Aligarh with his classical tunes in films like Leader, Kohinoor, Mughal-i-azam, Shankar Jaikishan displayed the European tunes in Raj Kapoor’s films Sangam, Around the World, etc., where the westernized orchestrations complimented the colourful scenary of the foreign countries. In fact, SJ’s tunes “chale jana zara theheron” showed the brilliance of Lake Erie and Niagra Falls stretching from Canada to USA, and mesmerizing the audience. Even in Sangam, the creation of SJ picturised in the snow-clad Switzerland titled “ishq the ishq, I love you” showed SJ’s capability of adapting to European tunes. The musical fountain in Around the World, showed the brilliance of SJ in the film Around the World.

The lyrics written by Shakeel Badayani in Dilip Kumar’s films where music was composed by Naushad were as innovative as the lyrics written by Hasrat Jaipuri and Shankar Jaikishan in Raj Kapoor’ films composed by Shankar Jaikishan. The lyrics contained urdu shairy, bhopuri language, ultramodern lyrics, rural language, etc. and appealed to the masses.

Naushad had composed music in more than 15 films of Dilip Kumar and the same is the case of Shankar Jaikishan in Raj Kapoor’s films. The music of each of those films can be analysed and revisited.

It is impossible to say whether Dilip Kumar’s combination with Naushad was greater than Raj Kapoor’s combination with Shankar Jaikishan, but it is true that the two giants had left assets for generations to cherish which had ended up being masterpieces. New actors, composers, singers, directors learn from the success of the Showman and Tragedy King and the works should be revisited.

Happy birthday to Tragedy King Dilip Kumar, the legend of legends.

Happy birthday to Tragedy King Dilip Kumar, the legend of legends.

The viewers of bollywood films wish happy birthday to Dilip Kumar, better known as Tragedy King on 11th December, 2009. An institution by himself, Dilip Kumar had been a torch bearer in the world of romantic acting for the last 70 years. Born in 1922, Yusuf Khan, one of the greatest actors of bollywood films of all times had created new dimensions at every decade with his unique style of acting.

Although his performance in tragic roles like Bimal Roy’s Devdas and Madhumati, Hrishikesh Mukherjee’s Musafir, and other landmark films had made him an icon of tragedy, he had proved his variation in comedy films, social films, action-oriented blockbusters. Directors like Bimal Roy, K. Asif, Tapan Sinha, Subhash Ghai, consider Dilip Kumar as the greatest actor of all times. He had made the characters immortal which he had played in his illustrious career.

He had given extraordinary lips in landmark songs of the 50s and 60s sung by Mohammad Rafi like “madhuban me radhika nachere” and “do sitaron ka zameen par hai milan aaj ki raat” in the film Kohinoor, “ek shahenshah ne banwake haseen tajmahal”, “tere husn ka kya tareef karun”, “apni azadi ko hum hargese mita sakte nahi”, in the film Leader, “dilruba maine tere pyar me kya kya na kiya”, “koi sagar dilko behlata nahi” in the film Dil Diya Dard Liya, “aaj ki raat mere”, “aye hai bahare dekho” in the film Ram Aur Shyam, to name a few. Giant composer Naushad made the greatest contribution in the films of Dilip Kumar, although Shankar Jaikishan gave quality music in the films Yahudi and Daag, Salil Choudhury contributed in the film Madhumati and Musafir.

Dilip Kumar had acted opposite all the leading actresses of 40s, 50s, 60s, 70s, 80s, including Madhubala in Tarana, Mughal-i-Azam, Nargis in Babul, Andaz, Meena Kumari in Kohinoor, Azad, Footpath, Vaijayantimala in Madhumati, Ganga Jumna, Leader, Wahida Rehman in Dil Diya Dard Liya, Aadmi, Ram Aur Shyam, Saira Banu in Sagina, Gopi, to name a few.

Even during the 80s, his character roles created new dimension in bollywood films. His performance in the film Mashal, Masdoor, Shakti, Karma, Vidhata had inspired the new generation of actors like Anil Kapoor, Rishi Kapoor, Sanjay Dutt and others. He has the record of getting the filmfare award for the best actor for the maximum number of times ( 8 times ) which had not been broken by even Shahrukh Khan till now.

Dilip Kumar had not learned acting from any acting school yet the way he had made Sarat Chandra Chatterjee’s character Devdas immortal, the actors of the next generation consider him an institution by himself. He had played roles of even trade union leaders in the film Sagina, he was the first actor in bollywood films to perform in a double role in the film Ram Aur Shyam. He created a trend and films with double roles were created in the same lines as that of Ram Aur Shyam in Seeta Aur Geeta, Chaalbaaz, Kishen Kanhaiya.

He received the highest civilian award given by Pakistan, Nishan –e- imtiaz which was previously received by only one Indian, that is the former Prime Minister Morarji Desai. He had also received Dadasaheb Phalke award for his contribution in bollywood films. It is not possible to highlight the contribution of the legend of legends in a small article, as he had created an image which made him indispensable over 70 years in bollywood films.

Yet his journey is not over. Even in the present age directors like Subhash Ghai engage him with his new projects these days. The viewers want Dilip Kumar to continue acting in bollywood films if his health permits. Viewers had got addicted to his soft tune of dialogue throwing and want him to reproduce the magic again.

Happy birthday to Dharmender.

Happy birthday to Dharmender.

The viewers of bollywood films wish happy birthday to Dharmender on 8th December, 2009. He is one of the living legends of bollywood.

He had acted in more than 300 films and bollywood industry was heavily dependent on the star in the 60s and 70s. He started his journey with romantic films. His successful romantic films included Phool Aur Pathar with Meena Kumari, Mamta with Suchitra Sen, Mere Humdum Mere Dost with Sharmila Tagore, Aye Din Bahar Ke with Asha Parekh, Pyar Hi Pyar with Vaijayantimala, to name a few. Rafi’s songs picturized on Dharmender like “gar tum bhula na doge,” “ na ja kahin ab na ja”, “o majhi chal”, “dil kahen ruk ja”, “aaj mausam bara beimaan hai”, etc., had remained evergreen gems.

He played a different innings in the 70s. His image of action hero created revolution in bollywood films. He had a very muscular physic and created a trend of actors who involved themselves in exercises. His discipline had been followed by the actors of the next generation like Sunny Deol, Sanjay Dutt, Salman Khan, Hrithik Roshan and others. His successful films in the 70s included Jheel Ke Us Paar, Jugnu, Sholay, Dream Girl, etc.

His combination with Hema Malini is considered as one of the most colourful onscreen combination after Raj Kapoor Nargis and Dilip Kumar Vaijayantimala. Dharmender had acted in more than 20 films with Hema Malini, most of which were super hit. The most renowned films included Raja Jani, Naya Zamana, Sholay, Charas, Seeta Aur Geeta, Burning Train, Dream Girl, etc.

Dharmender acted in off-beat films as well. The best example was Gulzar’s Kinara. He was the husband of Hema Malini in the film who was a noted classical dancer. He was killed due to an accident with the car of Jeetender in the film. Bhupinder Singh’s song picturised on Dharmender titled “ek hi khwab kai baar dekha hai maine” remains as one of the greatest off-beat creations of RD Burman. His performance in the film Maa, based on the life of elephant requires special mention. He took a young elephant away from his mother to use him in Circus. The mother elephant revolted and killed Dharmender’s mother Nirupa Roy in the film. Dharmender’s patent dialogue “maa kasam”, “kamine”, etc., were memorized by youths of the 70s.
Both his sons Sunny Deol and Bobby Deol are successful actors of bollywood films. Dharmender still has acting left in him and the viewers expect him to carry on the marathon innings that he had started 50 years back.

Dilip Kumar, Ram Aur Shyam and Trend-setting in double roles.

Dilip Kumar, Ram Aur Shyam and Trend-setting in double roles.

Dilip Kumar played his first double role in bollywood film Ram Aur Shyam. In the late 60s, Dilip Kumar’s performance created a landmark trend which was followed in other bollywood films later on.

Chanakya, the director of Ram Aur Shyam, gave two contrasting characters to Dilip Kumar, one being a docile character, the other one being a smart character. While Ram was savagely beaten by Pran, the brother in law of Dilip Kumar, Shyam took revenge and taught Pran a lesson.

Both the Dilip Kumar’s were emotionally involved with Mumtaz and Wahida Rehman. While the tragic andaz and comedy andaz of Dilip Kumar mesmerized the viewers in the film, the romantic sequences in the film created storms as for the first time shooting was done in Kodaikanal in South India. Rafi’s songs “aye hai baharen dekho zulmo sitam”, “aaj ki raat mere” composed by Naushad, written by Sahir Ludhiyanvi and picturized on Rafi created landmark in bollywood history. All the songs of the film became super hit.

After the success of Ram Aur Shyam, most of the directors were provoked to make films with the same formula. Seeta Aur Geeta in early 70s became super hit with the same formula, Chaalbaaz in the mid-80s did great business with the same formula, and Kishen Kanhaiya in the early 90s did fantastic business. Hema Malini, Sri Devi and Anil Kapoor played the double roles like Dilip Kumar in Ram Aur Shyam.

Dilip Kumar had remained a trend-setter in respect of tragic performances which other actors like Manoj Kumar, Rajender Kumar and Shahrukh Khan had followed. Even if they did not imitate Dilip Kumar, they were influenced by Dilip Kumar. Even character actor Kader Khan was influenced with Dilip Kumar’s style of acting. In respect of type of films where Dilip Kumar played the lead roles, the films had remained trend-setter.
Dilip Kumar’s Devdas had been remade a number of time, and whoever played the role of Devdas, they could not resist themselves from following few expressions of Dilip Kumar. Same is the case of Ram Aur Shyam. In the history of bollywood films, the first film which entertained the viewers with double roles of contrasting characters was Ram Aur Shyam and the film had not lost its appeal even today, after 40 years of its date of release. The film and the music should be restored.

Remembering Salil Choudhury.

Remembering Salil Choudhury.

Salil Choudhury, noted scholar, poet, composer and literary giant was remembered on his birthday on 19th November, 2009. As he was a versatile scholar, his scholarly attributes were reflected in his creations. He was both the lyricist and the composer and numerous songs sung by legendary singers over 50 years.

His creation “ami parini bujhite parini” and “tumi jaante” for Manobendra Mukherjee were created with two different andaz, one having classical orientation while the other having westernized treatment. His creation “jhanana jhanana baje” and “antabihin oi andharater shesh” for Dhanonjoy Bhattacharya showed his class in handling classical singers.

On the other hand his strength in folk songs were evident in his song “sunayoni sunayoni” sung by Nirmalendu Choudhury and Sabita Choudhury. Nirmalendu became famous all across the world with his folk numbers. Salil Chouhdury huge experiment with Shymal Mitra in songs like “jadi kichu amare shudhao”, “aha oi ankabanka poth jai shudure”, “dur nai beshi dur oi”, “ja jare ja ja pakhi”, to name a few. In “jadi kichu amare shudhao”, Salil Choudhury’s orchestration was unique, half of the song was blank verse while the other half had musical treatment.

Salil Choudhury created a gem with the song “nil nil pakhi” for Sandhya Mukherjee. Besides, bengal’s literary community were astonished with Salil Choudhury conversion of famous poetry “ujjal ek jhak paira” sung by Sandhya Mukherjee into song. The poet’s feelings were translated into musical tune by sheer brilliance of Salil Choudhury. Other examples of converting legendary poems into songs include “runner” written by Shukanto Bhattacharya and “palki chole” written by Satyendranath Dutta which were sung by Hemanta Mukherjee which both became history. In “runner” the march of the postman on foot from remote corners of village was given adequate expression by Salil Choudhury.

Salil Choudhury’s national fame allowed him to do numerous experiments with bollywood singers like Mukesh and Lata. Articles after articles can be devoted to Lata Salil Choudhury creations in Bengali. Mukesh also sung hit song “jhum jhum pakshi nachona” composed by Salil Choudhury.

Salil Choudury created his masterpieces in Bengali films as well like Shyamal Mitra’s song “onek ghuriya sheshe” in Hrithik Ghatak’s film Bari Theke Paliye, Nirmalendu Choudhury’s song “sojoni o sojoni” and Manna Dey’s “uthali pathali amar buuk” in Rajen Tarafdar’s film Ganga. Besides his song “he bhai re bhai” and “baje go beena” sung by Manna Dey in the film Marjina Abdulla made the listeners speechless. Even Lata’s song “bujhbe na keu bujhbena” was equally popular.

Bimal Roy’s film Do Bigha Zameen was based on Salil Choudhury’s literature. His music in the films Do Bigha Zameen, Madhumati, Musafir, Parakh, Jagte Raho, Anand, Maya, Rajnigandha, etc., stand out as landmarks in Indian film history. He received filmfare award for brilliant performance in the film Madhumati. All the songs in the film including Lata’s “aja re”, “ghari ghari”, Rafi’s “tute hue khwabonme”, “jangal me mor nacha”, Mukesh’s “dil tarap tarap ke”, “suhana safar aur mausam hasin” touched the souls of numerous Indians in the late 50s.

Other notable songs of Salil Choudhury in bollywood films include “tasveer teri dil me” from Maya, “zindagi kaisi hai paheli hai”, “kahin dur jab din dhal jaye” from Anand, “rajnigandha” from Rajnigandha, “jago mohan pyare” from Jagte Raho, to name a few.

Bengal and India was as a whole was indebted to a maestro like Salil Choudhury and several researches can be undertaken for finding out the history behind his creations. One article is not enough to reiterate the immortal works of the giant creator. The creations should be preserved and restored.

Happy birthday to Asha Parekh.

Happy birthday to Asha Parekh.

The viewers of bollywood films wish happy birthday to Asha Parekh on 2nd October, 2009. She had been a dancing legend of the 60s. Bollywood industry is indebted to her for her brilliant performance in various films.

She started her career opposite Shammi Kapoor in the film Dil Deke Dekho in 1959. After that she acted in musical blockbusters most of which were directed by Nasir Hussain. She was sublime in the film Jab Pyar Kisi Se Hota Hai opposite Dev Anand. The songs in the film composed by Shankar Jaikishan like “sau saal pehle”, “yeh ankhe uff yumma”, “teri zulfon ki”, “jiya ho” became rich assets of history.

Asha Parekh had a fantastic combination with Joy Mukherjee. Her films Ziddi, Phir Wohi Dil Laya Hoon and Love in Tokyo became superhit. The songs in most of these films composed by OP Nayyar and Shankar Jaikishan stormed box-office. The most famous songs included “banda parwar”, “raton ka sila”, “nazneen bara rangin hai wada tera”, “japan, love in Tokyo”, “hume tum mil gaye humdum”, etc. Similarly Asha Parekh’s combination with Biswajeet and Shammi Kapoor was very grand. Her film Mere Sanam with Biswajeet was another musical blockbuster. All the songs of the film like “pukarta chala hoon mai”, “humdum mere maan bhi jayo”, “hue hai tumpe aashiq hum bhala mano bura mano” sung by Rafi stormed box-office in the mid-60s.

Asha Parekh played many serious roles in films like Chirag opposite Sunil Dutt, Kati Patang opposite Rajesh Khanna, Upkaar opposite Manoj Kumar, etc. Asha Parekh dancing skills gave her a separate recognition during an age when actresses like Vaijayantimala, Rajashree, Mumtaz, Padmini were already created sensation in bollywood.

Asha Parekh’s performance in the film Carwan opposite Jeetender requires special mention. The viewers expect her to continue the great work in character roles in the years to come.

The nation remembers Rafi on his death anniversary.

The nation remembers Rafi on his death anniversary.

The nation remembers Mohammad Rafi on his death anniversary on 31st july, 2009. It was a very painful experience for most of the music lovers of India and abroad to recollect the experience of 31st July, 1980. 29 years had passed since his death and yet time could not heal the wound inflicted in the hearts of numerous music lovers of the country.

He is still alive in the hearts of millions of Indians with his 26000 songs. He had given expression to almost all the leading stars of bollywood and also the poets and composers of the golden age. He had created such an invaluable treasure of songs most of which can be termed as masterpieces, that the listeners can cherish his work for ever.

Admirers of Naushad can hear Rafi’s “do sitaron ka zameen par hai Milan”, “man tarpat”, “koi sagar dil ko behlata nahi”, “ek shahenshahne banwake haseen tajmahal” thousand times, admirers of Shankar Jaikishan search Rafi in “o mere shahekhuba”, “chalke teri ankhose”, “ehsaan tera hoga mujhpar”, etc., admirers of Roshan find peace in Rafi’s “jo wada kiya ho”, “dil jo na keh saka”, “ab kya misaal doon”, “man re”, etc., admirers of Madan Mohan hear “tumhari zulfonki saye me”, “aap ke pehlu me”, “baad muddat key eh ghari aye”, etc., again and again. Besides Rafi had galvanized the fortunes of Laxmikant Pyarellal, OP Nayyar, SD Burman, Kalyanji Anandji, RD Burman and many other composers of the 50s, 60s, 70s. Articles after articles can be devoted to Rafi’s combination with the musical giants.

On the other hand Rafi had raised the standard of playback singing in the golden age which had become a benchmark which is difficult reach but can be followed by singers of the present day. Rafi had given different types of expressions for Dilip Kumar (madhuban me radhika, aaj purani rahon par), Shammi Kapoor (akele akele, diwana hua badal), Rajender Kumar (mere mehboob tujhe, o priya), Johnny Walker (ay dil mushkil, jangal me mor nacha), Pradeep Kumar (dil jo na keh saka, hum intezar karenge), Guru Dutt (chaudavi ka chand, yeh mahalon), Biswajeet (pukarta chala hoon mai, a gale lag ja) Bharat Bhushan (zindagi bhar nahi, kisiki yaad me), Joy Mukherjee (bahut shukriya, japan love in tokyo, Dharmender (naja kabhi ab na ja, gair tum bhula na doge), Jeetender (dhal gaya din, baar baar din yeh aye) and others. Rafi’s combination with these evergreen stars had been glorified and is still being revisited.

In respect of Rafi lovers all across the world, there is one big challenge to unearth many unheard songs including Rafi’s private albums. A number of songs sung in the regional languages had been preserved, including Bengali songs like songs of Nazrul Islam. Songs like “alga korogo khopar badhon”, “pakhitar buke”, “ekhono biday bolona”, “tomar nil dopati chok”, “e jibone mor”, amused the Bengali audience as well.

The playback singers of the present age like Sonu Nigam, Udit Narayan and others pay immense respect to Mohammad Rafi and still consider him as the legend of legends in the field of music. Sonu Nigam in the program Mohammad Rafi resurrected tried to sing Rafi’s classics in Europe. The listeners realized that the singing of versatile singer Sonu Nigam even could not match Rafi’s level of excellence and as such most of his songs can challenge the leading singers of India and Pakistan even today. With change in demands of music at this present moment with pop, rap, western collections becoming prevalent, Rafi is probably the only legend of the 50s, 60s, and 70s whose songs had still remained young.

The listeners should revisit the songs of Rafi and restore the creations to pay homage to the noble soul who departed the music -lovers 29 years ago.

The nation remembers Pancham on his birthday.

The nation remembers Pancham on his birthday.

The nation remembers Pancham, better known as Rahul Dev Burman, on his birthday on 27th June, 2009. Almost 15 years passed after his death, yet his tunes had kept him alive among the young generations.

Being the son of legendary singer and composer SD Burman, he had a monumental task of proving his identity in the 60s. He came out with innovative tunes sung by Rafi in Mehmood’s film Chote Nawab. From that time onwards critics understood that RD Burman had come to create his unique identity. His biggest in the 60s came in Shammi Kapoor’s film Teesri Manzil in 1966. All the songs sung by Rafi and Asha became landmark hits including “o haseena zulfonwali”, “aaja aaja mai hoon pyar tera”, “janeman janejaa”, etc. Along with western composers like Shankar Jaikishan, OP Nayyar, Salil Choudhury, who were ruling the industry, RD Burman kept his feet on strong platform.

RD Burman and Rafi combination continued in films like Abhilasha with songs like “wadiyan tera daaman”, Jeetender’s Karwan with songs like “kitna pyara wada”, “are chadti jawani”, “are ho goriyan kahan tera des re”, Shashi Kapoor’s Pyar Ka Mausam, with songs like “tum bin jayun kahan”, “ni sultana re”, Rajesh Khanna’s The Train, with songs like “gulaabi aankhe”, “tujshe bhala yeh”, etc. In the 70s, RD took the bollywood industry by storm. With death of Jaikishan, Roshan, Ghulam Mohammad, Vasant Desai, etc., the industry depended on Pancham, Laxmikant Pyarellal and Kalyanji Anandji for best music. They provided stability to the industry for the next 15 years.

RD Burman had monumental contribution in Rajesh Khanna and Big B’s films and gave a new life to Kishore Kumar. All the songs of films like Amar Prem, Kati Patang, Aap Ki Kasam, Namak Haram, Mehbooba, Barsaat Ki Ek Raat, Shaan, Shakti, etc. Memorable songs included “tere naina”, “kuch to log kahenge”, “ai sham mastani”, “janu meri jaan”, etc.

RD Burman contributed a lot in Uttam Kumar’s Bengali film Raj Kumari in 1970. The song “ki holo kabe holo” , created history which was remade in hindi in the film Amar Prem. Critics argue that RD Burman reserved his best music in Gulzar’s films. His songs for Lata in Suchitra Sen’s Aandhi titled “is mor se jaate hai”, Uttam Kumar’s Kitaab, “aa ii masterjiki ho gayi chutti”, Jeetender’s Kinara where Bhupinder Singh and Lata did their best in “naam gum jayega”, “meethe bol bole”, “ek hi khwab”, etc., Sanjeev Kumar’s Parichay, with Bhupinder’s “biti na bitai rehna”, etc.

He won the filmfare award for the best composer three times. The young generations associate themselves with RD’s tunes even today, in that count he was one of the versatile composers after Shankar Jaikishan, Naushad, Madanmohan, Roshan, etc.

Happy birthday to Jeetender

Happy birthday to Jeetender.

The viewers of bollywood films wish happy birthday to Jeetender, the golden hero of the 60s on 7th April, 2009. He has been considered as one of the most consistent actors who had steady box-office in the 60s, 70s and 80s.

In the early 60s, he started his career with the success in the film Geet Gaya Pattharone, opposite Rajashree. Bollywood industry was flooded with actors at that time including Showman Raj Kapoor, Tragedy King Dilip Kumar and the other matinee idols like Rajender Kumar, Pradeep Kumar, Shammi Kapoor, Bharat Bhushan and others. He had to face very strong competition to stay in the competition at that time.

Within a short period of time his dancing skills were cultivated by the directors and his films started making profits. His film Farz in 1967, opposite Babita, became super hit. The songs composed by LP and sung by Rafi created storms, including “mast baharon ka mai ashiq”, “baar baar din yeh aye”, etc. Besides, Jeetender’s dance performance in most of the songs entertained the viewers to a big extent.

From that time onwards, Jeetender had a great combination with LP, Rafi and Anand Bakshi. All the songs of the film Humjoli, Jeegri Dost and Banphool became superhit. Prominent songs included “mere desh me”, “dhal gaya din”, etc. Initially critics called Jeetender jumping jack, but his dancing skills followed by his acting skills made him a ruler in the 70s and 80s.

In 70s, he was probably the only romantic actor other than Rishi Kapoor, he survived the period relating to action films, when Big B, Vinod Khanna, Shatrughu Sinha and others gave hit action films one after the other. The hit films of Jeetender in the 70s include Karwan, Nagin, which continued in the 80s with the success of films like Asha opposite Reena Roy.

Jeetender also played a crucial in off-beat films of Gulzar like Parichay, Khushbu and Kinara where the intellectual audience had appreciated him. He gave very elegant lips in brilliant songs of Bhupinder Singh like “naam gum jayega”, “meethe bol bole”, etc. He transformed himself from an excited, energetic, youth to a reserve personality in Parichay, Khusbu and Kinara.

Jeetender’s in the 80s had compelled producers to launch him opposite young actresses like Sri Devi and Jaya Prada who were much younger than him in films like Himmatwala or Dharm Adhikari. After the launching of his son Tushar Kapoor in modern films, he had reduced acting in contemporary films.

But the viewers expect him to still continue in modern films in character roles just like before.

Joy Mukherjee and OP Nayyar.

Joy Mukherjee and OP Nayyar.

Joy Mukherjee gave hits after hits during 60s films and became extremely popular in an age when inspite of domination of Showman Raj Kapoor and Tragedy King Dilip Kumar, stars of various capabilities displayed their individual skills which include Rajender Kumar, Pradeep Kumar, Bharat Bhushan, Shammi Kapoor and others. The music of the films of Joy Mukherjee played a very significant role in their success and in that context OP Nayyar’s name comes without hesitation.

Joy Mukherjee’s film Ek Musafir Ek Hasina did brilliant business in the early 60s. Raj Khosla’s musical thriller addressed every section of the society with romantic performance of Joy Mukherjee and Sadhna. All the songs of Rafi and Asha picturized on Joy Mukherjee and Sadhna became super hit. It includes songs like “aap yuhin agar humse milte rahe”, “mujhe dekhkar aapka muskurana”, “phir tere shahar me”, “mai pyar ka rahi hoon”, “bahut shukhriya, bari meherbani”, “humko tumhari isqh ne”, to name a few. OP Nayyar was probably at his best in the film and his blend of eastern and western music created the romantic mood for the film.

Joy Mukherjee, Rafi and OP Nayyar’s magical combination continued in the film Phir Wohi Dil Laya Hoon. Most part of the film was shot at picturesque locations of Jammu & Kashmir and the landscape was as romantic as the songs sung by Rafi and Asha in the film. The prominent songs included “banda parwar, thamlo jigar”, “lakho hai nigahon me”, “nazneen bara rangeen hai wada tera”, “aanchal me sajalena kaliyan”, “zulf ke chayon me chehere ka ujala lekar”, to name a few. Asha Parekh showed her dancing skills to perfection in the film. Rajender Nath played the role of the relief character in the film. In fact OP Nayyar maintained the same standard of music in Shammi Kapoor’s film Kashmir Ki Kali and Biswajeet’s film Mere Sanam which were made after Phir Wohi Dil Laya Hoon.

Joy Mukherjee’s combination with OP Nayyar continued in the film Humsaya. In that film Sharmila Tagore got the lead role opposite Joy Mukherjee. By that time due to emergence on new actors and actresses in bollywood films, Joy Mukherjee’s popularity declined and the film also did moderate business. In respect of the songs, Rafi’s song “dil ki awaaz bhi sun” became hit. But OP Nayyar gave a number of songs to Mahendra Kapoor was well which did not strike gold in the box –office.

In the 70s, with the advent of action films led by Big B, Vinod Khanna and others, Joy Mukherjee faded away from the film arena. Even OP Nayyar’s music in films like Ek Baar Muskurado did not create storms the way it did in the 60s. The films of Joy Mukherjee and OP Nayyar should be preserved for their immense musical value.